Home Accessories Camera Bags: Fogg and the new satchmo

Camera Bags: Fogg and the new satchmo

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I’m not certain where I first came across Fogg bags, it might have been in 2007 at the Robert White camera shop to pick up a Leica 75 APO Summicron.

I first bought a Fogg b-laika for my M equipment and quickly fell in love. Later I bought a b-major for my Nikon dSLR equipment, which has been used at weddings and events ever since. That’s the bag that’s been used ever since, not the camera, which morphed into a Leica SL and now an SL2 with various lenses.

Then I bought a flute – for keeping a camera on my hip while horse-riding. Around this time (2012) I started communicating with bee berman and Nigel Fogg and they used some of my photos on their website. And just in case you think I’ve forgotten to use capitals occasionally, read on for all will be explained.

I have to admit to being a bag fetishist, I have excellent bags from lots of different bag makers, I have two bags from two makers (shame), but I have six Fogg bags (no shame!). Buying a Fogg bag isn’t just a transaction, it’s a real experience (especially if you can deal directly with them).

When Fogg sent me their new all-leather bag to check out I thought it would be a really good opportunity to spread the word about a unique and rather wonderful company.

I asked them for some historical details, planning to do a little biography, but what they sent was so wonderful I thought it better to let them speak for themselves.

Incidentally, if you have an email correspondence with them, then you’ll find that….

bee always spells her name in lower case, she always writes in red,

and Nigel in blue.

A little history (most of it in their words)

Nigel and bee were born in South Africa, bee trained as a theatre stage designer at the Royal Academy of Dramatic Art (RADA) in London, while Nigel began making various leather items at university.

bee was dangerously active as a documentary photographer for the anti- apartheid movement in Cape Town, Nigel was curator of photography at the South African National gallery.

In 1985 they moved to London as there seemed no resolution to the apartheid problem. In bee berman’s words:

“two people without a smidge of business in their dna start a business. those with intelligence would have shut the door, turned off the light and lost the key before the year was through, instead we tight-rope-tottered on.

“philosophy was simple – we had both been photographers and had our individual ‘perfect-bag-list’: an example: while running in a squatter camp raid in cape town my bag up-ended spitting out my gear/film into the sand; i was arrested – on my knees.

“1 – the bag must shut quickly, hold gear while running …

“our office was a call-box down the road from the mighty thames in hammersmith. in all seasons we squeezed into the red-box, nigel being the desk as i juggled diary and papers on his back. then we swopped as he connected with suppliers from the yellow pages. amateurs? sure.”

As Nigel puts it:

“Given the severe recession in the UK our best chance seemed to be to pursue the making of camera bags, the first attempts having been made in SA.

“Twenty prototypes later, our first bags were supplied to RG Lewis in London, in 1986, and later that year won an award from the Design Centre. We’re still going.

“We moved to France in 1992, to be able to live and work in exquisite surroundings, and against the backdrop of a rich historical and cultural heritage.

All their own work

As far as I know Fogg is unique, in that the bags are all made by bee and Nigel, themselves. They are not made in a state-of-the-art factory in Germany, or South Korea or Birmingham, and especially not in a sweat shop in ‘wherever’.

If you buy one of their bags, it isn’t like some anonymous purchase, it’s an experience, rather like buying a Leica, but even more personal.

bee again:

“why? why would two adults way past pension age keep going? because of the people we make the bags for. the shift from customer to friend evolves mostly before money crosses palms – and we remain in contact long after the sale has been made.

“we share photographic adventures but also lives filled with births and marriages, illness, political discourses, arguments and tolerance and sadly, loss – when the air in our day passes with a heaviness too.

“they are articulate, enlightened, amusing, knowledgeable (do i dare add, the most exigent folk walking planet earth) and most important, they share generously with two perfect strangers. We don’t work for anyone .. we work with them.

“and finally their technique of returning their golden oldies is worthy of a hundred Oscars:

“i’ve had a little accident, a little stain, a little tear, the puppy, the baby, the wife, the wine..”, and still neither siren nor warning light goes off in our brains – instead “no problem send it back.. for a token payment we will bring it back on the road”. last return took me a week to undo .. the stitching had fossilised deep into the leather, the fabric turned to dust in my hands… the weathered leather was all weather and no leather … but each piece is placed like an archeological dig into a box for nigel : like a well-rehearsed actor:

‘THAT’S IT. THIS IS THE LAST TIME .. NEVAH EVAH’

“then it’s shelved.

“a few days later the box is on his bench looking like a demented jigsaw with missing pieces. slowly bits are added/modified as it moves quietly backwards and forwards to my machine and back again. till it stands for another 20 years … shaving 4,7 minutes off our lives and taken three weeks to achieve.”

I’m afraid I’m a guilty party here, my first b-laika became a little frayed around the edges after 5 years being used every day: sweated-on in Crete and China and stolen from a restaurant in Leeds, traipsed around the fens, poured on in Cornish rain (there’s nothing like Cornish rain). I sent it back for repair.

When it returned, the replaced pieces were in a bag, it hadn’t just been repaired, but largely redesigned on the basis of where it had worn, with new leather edging to protect the bit that had been damaged by my boney hips.

The new satchmo

If you really REALLY use your bag every day there is conundrum to be faced: Canvas bags are lighter and more flexible, but they do wear faster than leather. Leather bags are almost always too heavy and stiff.

The Fogg satchmo is their first full-leather bag. They sent me one to evaluate. I’ve spent the last couple of months using it every day and it’s becoming nicely broken in.

It’s pretty much exactly the same size as the b-laika, which means that it has room for two Leica M bodies with lenses attached, and two other (smallish) lenses tucked underneath

It is derived from their version of the Carpenter’s pouch to last a lifetime of heavy use.

The flap covers the whole of the front of the bag and is fixed shut with a brass staple with a piece of sturdy leather tucked through. I wasn’t certain about this to start with, but I’ve grown to love it, it’s easy to do up quickly, and also easy to undo quickly, with one hand behind your back!

It’s also very easy to change the length of the shoulder strap so you can move from over one shoulder to across the chest. The bag has a carrying handle, which is great for grabbing it from the passenger seat (or the back seat) in the car.

Under the flap, the single front pocket is quite generous, I use it for a wallet, a couple of spare batteries and my Apple AirPods Pro – but it would be equally convenient for a phone and charger. There are two very slim pockets on the front, suitable for SD cards or credit cards. The flap cover of the front pocket has a magnetic closure to keep it in place. On the top of the flap is a leather pen loop – which is thin enough to allow it to go under the clip on the pen cap and generous enough to fit quite a substantial fountain pen.

The inside of the bag is covered in coarse linen (like all the Fogg bags) with three flexible and movable dividers, and a rear fixed divider which could be used for a phone or a slim tablet or notebook, but not any of the larger iPads. The interior is well padded against the outrages every camera is subjected to.

As I pointed out earlier, the problem with leather bags is almost always that they’re too heavy, but the satchmo weighs 800gm to the b-laika’s 640gm, not such a great increase.

A couple of months isn’t long enough to really get to know a bag, but SatchMo has enough in common with my favourite b-laika to know that it’s the perfect size for a good M setup, It’s a lovely thing to look at and it feels like it’s going to last a lifetime.


Read more from Jonathan Slack on Macfilos.

You can also find Jonathan here

12 COMMENTS

  1. I have been a customer of theirs almost from the beginning, and for a time I was one of the few US dealers back when I had my shop. Very dangerous for a bag-aholic like me. bee and Nigel have always done things their own, special way. I don’t want to admit how many of their bags I have. Somehow, I keep finding reasons to keep acquiring them! They are the nicest, best way of utilizing space of anything I have ever used, especially for a Leica M outfit. Being hand made and very personalized only make them better.

  2. Love their story. Thank you for sharing it. I suspect it isn’t about making money – this kind of commitment is almost always about something else. May I add, the black & white photo above…love it.

  3. A fascinating story. There are too few of the small artisan companies around. I have bought bags, and clothes when he makes them, from Kyle at a company called D’employ in the States. It’s just him and his sewing machine. As we all know, the price is about not having a state of the art factory churning out hundreds of items (and there is a place for that), it’s about small production numbers made sustainably and with care.

  4. I have never heard of Fogg but clearly a premium product and legendary service -wow. Thanks for sharing this unique story.

  5. ‘Satchmo’, you nearly had me there, Jono. I have always told Mike that the only special edition Leica I would ever buy would be a Louis Armstrong Special Edition. Then Dr Kaufmann showed a picture of Louis looking into a Leica (not his) at the Boston AGM of the LHSA last year. My hopes were rising fast when I saw the headline. Louis was called Satchmo (short for ‘Satchelmouth’) because of his large mouth and he claimed that when he was a newspaper boy around 1911/12 he used to keep the coin change in his mouth which he used as a purse. There is also a red rose called ‘Satchmo’ created by Irish rose developer Sam McGredy and called after Louis.

    This bag looks very nice indeed, but at 500 squids (or half a grand) for a smallish bag, I think I will stick with my Billingham Black and Tans, however uncomfortable I might be with their name.

    The real Satchmo is always with me wherever I go, of course. He will also be with me at the Pearly Gates to play me in when I arrive.

    William

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