Sigma continues to push the lens performance envelope for L-Mount users, with the all-you-need 20-200mm zoom, the low light specialist 35mm f/1.2, and the 3-dimensional rendering 135mm f/1.4
The new Sigma 200mm F2 DG OS | Sports lens features an optical design of 19 elements in 14 groups, including 2 FLD and 2 SLD glass element to achieve exceptionally high optical performance.
The Sigma 14-24 mm f/2.8 Art zoom lens proves to be the perfect accompaniment for a visit to one of the world's most spectacular art museums - the Getty
Lumix and Sigma L-Mount prime lenses offer superb optical performance in a cost-effective package. You can't really go wrong, whichever model you choose.
The new Sigma 28-45mm f/1.8 DG DN | Art is claimed to be the first full-frame zoom lens with a constant maximum aperture of f/1.8. Sigma says that this fast zoom delivers sharpness and clarity comparable to that of a prime lens throughout the range. Sigma has already pioneered fast zooms with the 18-35mm f/1.8 DC HSM | Art and the 25-35 f/2 DG HSM and the DN (digital native) 28-45mm f/1.8 adds to this impressive line up to join the latest lenses designed expressly for mirrorless cameras.
The second-generation Sigma 24–70 f/2.8 DG DN |Art zoom is launched today. It promises improved optical performance and a welcome ten percent weight reduction with a seven percent size bonus...
The new Sigma 50mm f/1.2 is a compact, relatively lightweight addition to the company's flagship Art range. Designed specifically for mirrorless cameras, this professional-grade f/1.2 prime lens is now the fastest 50mm autofocus lens in the L-Mount ecosystem. If you are an SL-camera owner in search of a wafer-thin depth-of-field, this could the lens for you.