Monday, September 28, 2020

Sigma Contemporary: Three fast primes exclusively for Leica CL and TL. Or not.

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Sigma's launch of three primes just for the Leica TL/CL is curious but, nonetheless, very welcome. It could put some new life into the system.

Sigma announces three Contemporary fast APS-C primes for L-Mount

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Sigma has just introduced three fast APS-C primes when the only compatible cameras are Leica's CL and TL2. What's happening here?

Sigma launches new 100-400mm f/5-6.3 for L-Mount: Up to 800mm reach with teleconverters

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Zoom to 400mm, 560mm ot 800mm with the new Contemporary telephoto from Sigma. It's a compact and well-priced addition to the burgeoning L-Mount Alliance lens collection.

Leica T at Six: Hit or a miss?

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Six years ago today Leica presented the hewn-from-solid Leica T. It was revolutionary at the time, but how has it fared over the intervening years? Mike takes a look back.

Sigma 70mm f/2.8 Macro Art: Picture Gallery

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The advent of Sigma's well-priced and optically excellent L-Mount lenses has created many new opportunitites of owners of Leica's SL and SL2 models. The Sigma 70mm f/2.8 DG Macro Art is a great lens at an attractive price.

What are the prospects for a lighter L-Mount full-frame camera?

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Panasonic is still working on a "more affordable" L-Mount full-frame camera. If "affordable" means lighter and smaller, we're already signed up.

Sigma L-Mount lenses bring a new dimension for owners of Leica’s SL cameras

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The advent of the L-Mount Alliance has been particularly exciting for Leica users and the resulting expansion in the range of lenses adds a whole new dimension to owning, say, the SL2. Mike paid a visit to Sigma Imaging UK to check out the latest developments

Panasonic confident in the future of the L-Mount Alliance

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Panasonic is bullish on the future of the L-Mount Alliance and broader depth of the product line brings confidence to consumers. The company claims to have captured ten percent of the high-end full-frame market since the introduction of the S1 and S1R but believes that full-frame and Micro Four-Thirds are fully complementary, each with its benefits and with relatively little overlap.