The Fujifilm's X100VI persists in being a sell-out around the world, and this interest is reflected in the success of Mike Evans's review of the camera in August.
How many new owners of the much-lusted-after FujiFilm X100VI have resisted using their new camera for three weeks. Mike explains why it has been sitting on the shelf...
The Fuji X100VI belongs to a select band of fixed, wide-angle-lens cameras that has taken the photographic world by storm. All have achieved cult status, all are on backorder or in very short supply, and none of them is discounted as a result. Photographers can't wait to get their hands on them and, in some cases, are willing to pay a hefty premium. Is the X100VI the best of the bunch?
Sales of photographic film are booming. But, despite shelling out big money on the film itself, it looks like the new cadre of film shooters have some new ideas. Film buffs want scans, not negatives. We take a look at this new and rather perverse trend in this week's Newsround.
They really did it: Ricoh has launched the new Pentax 17 film camera. It's half-format with a default portrait mode, pretty much as the young smartphone users love it, Will it be successful? And what do the first reviewers say?
Two new Fujifilm cameras, the GFX100S Mark II and the X-T50 are announced today. The medium-format GFX features a 102 megapixel sensor, which is approximately 1.7 times larger than a 35mm full-frame sensor. In, the new X-T50 is a true lightweight at 438g.
Fuji has just announced the X100VI. Does the latest version of its excellent fixed-focal length APS-C camera represent a significant upgrade to its predecessor?
A full movie shot on silver halide film in the year of 2023? Quite right. And Christopher Nolan's "Oppenheimer" is not the only production that relies on analogue technology.
The Bronica has found a new owner and I moved on to the Mamiya 6. Everything related to film photography is new to me, I am happy to at least have the familiar experience of a rangefinder camera...