‘If it ain’t broke, don’t fix it’—a philosophy I usually live my life by. I’ve never been prepared to make an exception when it comes to developing film, either. Over the last few years, I’ve had great success following manufacturers’ instructions; that’s taken me through developing black and white, C41 process and E6 process in the comfort of my bathroom, without any real issues. However, it struck me that there is one particular aspect of film photography that has made me such a die-hard advocate: Variety.
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