We take Leica's latest film camera, the M-A, and the latest digital, the M-D for some comparative snapping on the streets of London. Also: How does the new all-mechanical M-A stack up against the original M, the double-stroke M3? Mike and Adam find out.
We take Leica's latest film camera, the M-A, and the latest digital, the M-D for some comparative snapping on the streets of London. Also: How does the new all-mechanical M-A stack up against the original M, the double-stroke M3? Mike and Adam find out.
In the previous article I explained how Adam Lee and I took three Leica film cameras, spanning 80 years, and tested them all against one another using the same humble bit of celluloid, the classic Ilford FP4. The plan was to shoot in the same conditions (rain and drizzle as it happened), using exactly the same film and guide settings, and then process the film side by side to ensure consistency. Now we can move on to the results.
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