Fuji X takes time for a day at the agricultural fair

  Brown Swiss, Fujifilm XF-56 mm f/1.2 R
Brown Swiss, Fujifilm XF-56 mm f/1.2 R

People who love going to agricultural fairs need read no further; just take a look at the pictures.  After all, you already know what you like. However, for those who are yet to be convinced, I shall describe the unique delights to be experienced from a day at the fair. 

My wife and I have had wonderful days out at the Cheshire Agricultural Show at Tatton, the Flint and Denbigh Show in North Wales and the Usk and Monmouth Shows in South Wales. There are of course many similar shows all over the country and we could happily visit them all.

  Groomed Cow, Fujifilm XF-56 mm f/1.2 R
Groomed Cow, Fujifilm XF-56 mm f/1.2 R

Imagine the green of the show fields, set off by white marquees and stands, encircled by mature trees and gentle hills, all warming in the summer sun. Watch the eager throng arriving: local farmers and their families, horses and riders, sheep and shepherds, dogs and dog-handlers, hawks and falconers, salesmen by the score, as well as agronomists, animal health experts, agricultural finance and insurance experts. 

  A Team, Fujifilm XF 100-400mm f/4.5-5.6 R LM
A Team, Fujifilm XF 100-400mm f/4.5-5.6 R LM

There are animals for everyone: ducks and rabbits, ferrets and guinea pigs, fancy fowl and donkeys. There are machines for everyone: tractors, trailers, quad-bikes, combine harvesters, loaders, ploughs, elevators, bailers, diggers and ditchers and dozens more whose purpose escapes me.

  At the Show, Fujifilm XF 100-400mm f/4.5-5.6 R LM
At the Show, Fujifilm XF 100-400mm f/4.5-5.6 R LM

There are stalls and marquees offering all the products associated with country pursuits: clothing, shoes and walking sticks, dog and cat accessories, duck and hen houses, garden gadgets of every description, horse blankets, saddles and curry combs. 

  Happy Together, Fujifilm XF 100-400mm f/4.5-5.6 R LM
Happy Together, Fujifilm XF 100-400mm f/4.5-5.6 R LM

There is also a Food Marquee where every kind of farm and country produce is offered for tasting and for sale: local meats and sausages, pork pies and pasties, fruit, vegetables, honey and jams, ciders and wine, cakes, biscuits and sweets. Some part of heaven is surely a table spread with goods like these?

  Limousin, Fujifilm XF-56 mm f/1.2 R
Limousin, Fujifilm XF-56 mm f/1.2 R

The fair is a market place for the establishing and maintaining of reputations. It is a competitive arena for the judging of animals and produce which can lead to the winning of prestigious rosettes and ribbons. It is a chance to show off the result of a year’s intensive work on the farm. 

  Shire Chin, Fujifilm XF 100-400mm f/4.5-5.6 R LM
Shire Chin, Fujifilm XF 100-400mm f/4.5-5.6 R LM

The agricultural fair is also one of the few occasions in a hard farming year when farmers and those who depend upon them can socialise with others of like occupation and mind-set. Unfortunately, farming can often be a lonely, solitary occupation which throws strains and stresses upon farmers and their families alike. A day at the fair is therefore a time for shared pleasure and good company, a vital break in routine.

  Shire Horse, Fujifilm XF 100-400mm f/4.5-5.6 R LM
Shire Horse, Fujifilm XF 100-400mm f/4.5-5.6 R LM

Some people have come to the fair for the displays of vintage cars and tractors — such as beautiful old MGs, Morgans, Fordsons and Massey Fergusons. Others can’t wait for a ride on the Ferris wheel, turns on the slides and fairground rides of every description. Many visitors are attracted by the displays which are some of the high points of the day: the Royal Signals White Helmets display of motor bike skills (how sad they are now to disband), the demonstrations of birds of prey, the skills of dog handlers in obedience and the retrieving of game, the driving of teams of shire horses and vintage wagons.

Click on the above images to see them full size and uncropped

By late morning, its time to visit the food court for sustenance, choosing from burgers, sausages, wraps and bacon rolls or, if you prefer, Indian, Chinese, Thai and other ethnic offerings. My own simple favourite is a paper bag of six fresh doughnuts, sizzling hot and sugared, with a hot cup of coffee! Sometimes I have to use a lens wipe to clean my hands of the sticky sugar. 

  Shire Walking, Fujifilm XF 100-400mm f/4.5-5.6 R LM
Shire Walking, Fujifilm XF 100-400mm f/4.5-5.6 R LM

When I had the Fuji X-T10 (now sold for my X-T20), I would sometimes take the 16mm f/1.4 lens along to the fair. This is of course a wonderful wide angle lens which is ideal for city or country landscapes. It also has the ability to focus close up, within 15 cm of the lens when required, which is excellent for close up work. This is a lens which, throughout the year, I regard as my trusty travel companion whose characteristics and strengths I think I know. Yet, I don’t use it much at fairs, usually restricted to the odd environmental portrait of a man at work with his tools and products, otherwise it remains largely unused.

  The Huddle, Fujifilm XF-56 mm f/1.2 R
The Huddle, Fujifilm XF-56 mm f/1.2 R

My two preferred lenses for the fair are the 100-400mm long telephoto on the X-T2 and the 56mm f/1.2 short telephoto on the XT-20. The first at long extension is what is needed to photograph the shire horses or the Royal Signals motor cyclists when they are at the other end of the huge show ring. At the other end of its range, it can also cope with action in the smaller judging rings. The 56mm on the other hand is superb for portraits, vignettes of people and animals in restricted pens and marquees. Opened up wide, it dissolves away backgrounds and directs the eye to the subject. 

There is of course no substitute for the 100-400 for action like running horses or motorbike stunts. On the X-T2, it is easy to acquire focus and keep locked on for action shots. The 56mm on the other hand is much more considered about its focus acquisition, some would call it plain slow! One has to concede it is indeed a leisurely performer in this respect but then it has such merit in other departments that it can easily be forgiven. These two lenses together cover most of my needs at the fair but I am sure that others would choose differently.

  Waiting Their Turn, Fujifilm XF 100-400mm f/4.5-5.6 R LM
Waiting Their Turn, Fujifilm XF 100-400mm f/4.5-5.6 R LM

A final thought about agricultural fairs. Of course, there are many other types of fair and exhibitions, covering every possible interest group from sailing to flowers, from DIY to crafting. But none of these, it seems to me, are as directly related to the life, work and interests of a whole community as are the county and regional agricultural fairs. Those who are the backbone of such events are the working people of the surrounding countryside.  That ensures agricultural fairs have an integrity of shared endeavour and enjoyment which, in my opinion, differentiates them from other kinds of fairs. 

Can there be anyone still reading who doesn’t want to hurry off right now to their local agricultural fair?  Well, I hope you will at least give one a try? The doughnuts are delicious!

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4 COMMENTS

  1. Afzak
    Appreciate your comment. With telephoto lenses, I like the tight crop in order to exclude the extraneous elements of which there are many. Perhaps I should have included some scene setting shots with a wide angle lens?

  2. For photographs taken at a agricultural fair, I personally feel the images are tightly cropped but still lovely images.
    Enjoyed reading the article.

    AA

  3. William,

    Thanks your kind comments.

    I used to visit Dublin and Cork on business, driving between the two and enjoying your gorgeous countryside though I never had enough time to make the most of it! The Dublin Horse Show sounds most impressive and larger than the Cheshire Show whose memorable visitor for me was the lovely Sophie Countess of Wessex!

    I do have a 1.4 TC and use it regularly for wild life shots and agree your comments on little if any loss of image quality. Ideally I would love the 50-140 as well when the piggy bank is full enough!

    David

  4. Lovely photos, David. We have many such shows in Ireland. The main such show, usually held in the midlands, is built around the National Ploughing Championships and has an attendance of around 300,000 people along with the President, the Prime Minister and politicians of every persuasion, including some from urban areas. I usually confine myself to the Dublin Horse Show, which is held not far from where I live.

    I have the Fujifilm 50-140mm lens which you can build up to about 300mm in ‘real money’ using the 1.4 teleconvertor. Using that with your 100-400 lens would give you over 800mm. I find that there is very little loss of quality when using the 1.4 teleconvertor. I sometimes bring the 56mm lens on the X-T 1 along with the zoom on the X-Pro 2 to get a combination of shots when shooting events such as this. The weight saving as compared to the Nikon gear I previously used is quite significant. Along with the excellent handling, I think that Fujifilm have it nailed for this type of work.

    I like Leicas and using a Leica M or LTM with a standard or wide lens is my favourite type of photography. Currently, Leica has nothing to compare with Fujifilm in respect of lighter zooms and telephotos for this type of event. We can only wait and see what the rumoured Leica EVF model will be like, but it would have to be really outstanding to make me want to give up my Fujifilm gear.

    William

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