Lenses

Viltrox brings its fast, super-wide AF 16mm f/1.8 full-frame lens to the L-Mount world

Viltrox, which joined the L-Mount Alliance in September 2025, has introduced its first L-Mount lens, a fast, super-wide angle 16mm f/1.8 prime lens, geared towards low-light landscape, architecture, and astrophotography.

L-Mount Alliance: Is an all-new system-mover camera needed to break into the big time?

Since 2018, the L-Mount Alliance has excelled in lenses but lacks an appealing mid-range camera. Experts suggest collaboration between Panasonic and Sigma could create a desirable system mover for enthusiasts.

Leica Lens Names explained: A user’s guide

Leica has given its lenses unique names for a long time. Learn here what Noctilux or Summicron means and why ASPH. or APO give additional information.

First Review: Why the Leica Noctilux-M 35 f/1.2 ASPH matters

Leica's new 35mm Noctilux f/1.2 is significant as the first update since 2017, featuring advanced optical technology and a design focused on usability, expanding its versatile applications for photographers.

Introducing the new Leica Noctilux-M 35 f/1.2 ASPH.

Leica Camera AG introduces the Noctilux-M 35 f/1.2 ASPH., its first 35 mm M-Lens, offering exceptional imaging and versatile photography options. Available worldwide starting January 29, 2026.

The Story of Light Lens Lab: An interview with its founder, the enigmatic Mr Zhou

A video interview with the founder of Light Lens Lab, a Chinese manufacturer producing replicas of celebrated vintage lenses, reveals the story of the company's origins and his vision for the future.

Zeiss Biogon 25/2.8 ZM: A superb one-lens option when hiking with a rangefinder

The Zeiss Biogon 25/2.8 ZM proved to be a versatile companion for a Leica M camera, covering all the bases on a trip to the great outdoors in the American Southwest.

The Essential Photographer: Mechanist, Minimalist, or Maximalist?

Explores different interpretations of “Das Wesentliche” in photography, categorizing photographers into three essential groups: Mechanists, Minimalists, and Maximalists, each with unique approaches to equipment and shooting styles.
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