Being able to use full-frame manual lenses at native focal length on the Sony A7 range is a huge attraction for owners of Leica M glass. The A7r, despite its shortcomings, has proved its worth with Wezlar’s finest, as demonstrated in the above picture, shot with the A7r and 50mm Summilux. But is the five-axis stabilisation in the new A7 II going to be the big pull that everyone is predicting?