Fuji X-Pro2 and 56mm f/1.2 go boat racing with Oxford and Cambridge

 Hoodie buddys, anoraks for all: Television crews ready for the worst, on duty 24 hours before the race
Hoodie buddys, anoraks for all: Television crews ready for the worst, on duty 24 hours before the race

It’s been an annual fixture since 1829, wars excepted, and the Oxford and Cambridge Boat Race always draws enormous crowds to the banks of the Thames between Mortlake and Putney. Thanks to the patronage of the famous race, this stretch of the Thames is one of the most popular rowing courses in Britain. Every weekend the rowers, the little sailboats and the canoes are out in force.

But before the crowds come, there is preparation to be done.

 Hmmm...now I
Hmmm…now I’m no expert but could this be the Oxford team getting in a bit of practice?
 The clue is in the following launch, the Bosporus, with an OUBC flag flying proudly at the stern
The clue is in the following launch, the Bosporus, with an OUBC flag flying proudly at the stern

Today is Boat Race Day minus one, a quiet time except for the competing crews who can’t let up for one moment. It’s a miserable day on the Thames, drizzle and heavy winds leading to choppy conditions. The banks and all the facilities were deserted, except for television crews and event builders, but the main action was on the river.

 Now who are these layabouts? A process of elimination (after having identified Oxford) tells me this  could  be Cambridge enjoying a day-before practice. The colours are right. Of course I know nothing about rowing so they could just as easily be the Little Spottering weekend rowers
Now who are these layabouts? A process of elimination (after having identified Oxford) tells me this could be Cambridge enjoying a day-before practice. The colours are right. Of course I know nothing about rowing so they could just as easily be the Little Spottering weekend rowers
 The following launch Amaryllis gives little away with its Thames-grey legendless pennant, but there is at least one passenger in Cambridge colours.  
The following launch Amaryllis gives little away with its Thames-grey legendless pennant, but there is at least one passenger in Cambridge colours.  

On whim I grabbed the new Fuji X-Pro2 and clicked on one of my favourite lenses, the 56mm f/1.2 which gives an acceptably long 85mm focal length, a good compromise for static riverside shots and to allow a reasonable stab at capturing the activity on the river.

 Above: Senior members of the  London Corinthians Sailing Club  keep an eye on the Boat Race practice from the club
Above: Senior members of the London Corinthians Sailing Club keep an eye on the Boat Race practice from the club’s command post at Hammersmith Mall. Below: Critical focus at f/1.2 with the Fujinon 56mm. On the left, focus on the camera, on the right, focus on the face. You have to choose which you want, or take the drastic step of dialling in f/4 or something similar

As I often do with this lens, I open it up to f/1.2 (after all, why have a fast lens if you’re not going to take advantage of it?) and shoot away. Sharpness is compromised a little by the maximum aperture but the subject isolation possible (even on an APS-C sensor) is great fun. 

 Preparing for the masses. Lots of beer will be drunk tomorrow
Preparing for the masses. Lots of beer will be drunk tomorrow
 And if it rains, these novel beach-hut-style pub booths, complete with tables and bench seating, will be a refuge for the thirsty
And if it rains, these novel beach-hut-style pub booths, complete with tables and bench seating, will be a refuge for the thirsty

You have to be careful, though. At f/1.2 in close-up shots the depth of field is very limited, as demonstrated by the two pictures of the television cameraman above. However, it is nowhere near as critical in this respect as is, say, the Leica Noctilux with its full-frame f/0.95 maximum aperture. Still, it needs treating with respect. In one way, though, this lens is more fun than the Noctilux: You can use it wide open in bright conditions (not that today was very bright). With a maximum electronic shutter speed of 1/32000s, you can get away without an ND filter most of the time. 

Tomorrow there will be little chance of grabbing good shots, even with a suitably long lens, because of the press of crowds along the river. Today, crowd free, was more my cup of tea. Nonetheless, I shall be pointing a lens towards the contestants tomorrow, more in hope than expectation of getting any good results.

 And they will not have far to walk afterwards
And they will not have far to walk afterwards

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