The Fuji X100VI belongs to a select band of fixed, wide-angle-lens cameras that has taken the photographic world by storm. All have achieved cult status, all are on backorder or in very short supply, and none of them is discounted as a result. Photographers can't wait to get their hands on them and, in some cases, are willing to pay a hefty premium. Is the X100VI the best of the bunch?
In the second part of his visit to the Monterey Peninsula, Keith takes us on a brief visit to one of the most famous towns, and most famous coastlines, in California. Armed with an M240 and three lenses, he shows us how well a Leica-M kits handles California's most scenic spots.
Focus stacking is a computational process for manipulating depth-of-field, and is especially useful for landscape and macrophotography. The author gets down and dirty with the nuts and bolts of this powerful technique.
The author gets to grip with that Instagram favourite - sunsets - exploring both why they are so popular, and what might be good strategies for capturing a memorable image of one.
Part two of a photographic trip across the Southwest of the United States, beginning in Colorado, brings us all the way to California. Along the way, we get to enjoy some spectacular views of the Grand Canyon.
The Western United States, including Colorado, Utah, and Arizona, is the perfect venue for a photographic road trip. Dirk and Claudia capture the grandeur of mountains, rivers, and spectacular rock formations, in glorious colour, and black and white.
The architecture of English stately homes has evolved over time, reflecting the prevailing fashion during the period in which they were built. The same is true of their gardens. Chris Rodgers takes us on a journey through time, with spectacular photographs of beautiful examples of both homes and gardens.
Start with 3,000 Fujifilm Velvia slides and end up with ten landscapes that you'd be proud to hang on your wall. Chris looks back over 25 years of film photography with Fujifulm's vivid Velvia...
Whatever feelings of grandeur or catastrophic worries might fly around in the mind, the sight of rugged peaks around me immediately brings perspective. Maybe this is because the landscape I grew up in is a flat as a pancake, or maybe this is something that happens to people who have lived in the mountains all their lives...
A wide-angle lens isn't always the best choice for landscape photography. David experiments with longer focal lengths with the Fujifilm 50-140mm f/2.8 and the 2x teleconverter