Since 2012, on the first Sunday of July, my wife Emma has driven in the Pink Ladies Tractor Road Run on her 1954 Ferguson TE20 four-cylinder diesel tractor. Yes, she has a tractor. I’ve had the job of shooting the Pink Ladies, photographically speaking. The first time was shot largely with a Leica M9 with a 50mm Summilux — I was a brave man in those days. Now, with much better high ISO and faster shot-to-shot times, the task has become much easier.
Tractor Road Runs are a time-honoured rural pastime where farmers can block country roads with their slow old vintage tractors.
The Pink Ladies Run has been going for 20 years this year. Magnificently organised by Annie Chapman (who received a CBE1 in the 2014 Honours List) and her husband John. It was a brilliant idea to take such a traditional rural male occupation, turn it into a women’s event and raise money for Breast Cancer Research.
Pink drapes
Some of the ladies (such as Emma) do actually own their tractors; others borrow them from aficionados who often don’t seem to approve of draping them in pink. At the end of the run, there is always a scurry of anxious men retrieving their darling tractors from the women who have driven them. Greater love hath no man…
The Ladies have been collecting for Breast Cancer Research, and after this year’s run, they have reached a grand total of one million pounds. It’s worth mentioning that every penny of the money collected goes to Breast Cancer Research. Everyone who helps or works volunteers their time or services.
The tractor run consists of a 25-mile course around the lanes in the English county of Suffolk, with some off-road driving thrown in for good measure. The number of tractors varies from year to year, but since I’ve been photographing, it has ranged between 100 and this year’s record of 197 vehicles.
The photography
Above left: The county of Suffolk borders the East Coast, with Norfolk to the north and Essex to the south (Source: Ordnance Survey Public Data). That’s the North Folk, the South Folk and the East Saxons if you look back over 1,100 years. Right: The Pink Ladies Tractor route around the village of Harleston (Google Maps)
It’s an interesting photographic assignment, a mixture of boredom, terror and driving like a maniac.
I try to get four images of each tractor at four different spots on the route. Superficially, that doesn’t sound like such a tall order; but sometimes the gap between the tractors is as little as two or three seconds. Often, one tractor obscures the one behind it. This year, with so many extra tractors, the driving between vantage points was too difficult, so I chose three distinct spots to ensure I would get pictures of everyone.
Using manual focus is difficult because there is such little time, but any kind of zone autofocus can be worse, as the camera invariably tries to focus on the front of the tractor (or the exhaust pipe). Face detect is even more dangerous (the front of many tractors look like faces!). Spot AF seems to be the safest method.
Then there is the problem of the exhaust pipe, which is normally on the bonnet and very likely to bisect the face of the driver. Worse than that, many of the newer tractors have cabs, so trying to get the ladies without the reflection is even more difficult. Fortunately, the cabs usually have open sides, so that’s the favourite, but tricky if they’re going fast.
Missing one of the ladies is unthinkable (not least because some of them are tough Suffolk farmers). They need to use the images for their fundraising activities, so it’s important to get good pictures of everyone.
It takes about half an hour for 100 tractors to pass by, some close together and some further apart, but certainly, there’s no time to change batteries.
When the last tractor has gone, it’s time to leap in the car and get to the next spot before the first tractor arrives with Annie Chapman in the vanguard (the most important shot, after all). Of course, you can’t go the same route as the tractors, so carefully planned alternative routes are used. This year was a special challenge because, with nearly 200 tractors, the time from first to last was longer. There was much less time to get to the next point of focus.
It’s easier to do the photography on an overcast day, where you can set the exposure for a face and leave it at that. Sunshine isn’t too bad either, although then you have to be very careful not to blow out highlights. The real challenge comes with scattered cloudy conditions, as was the case this year. The exposure changes from minute to minute, sometimes from tractor to tractor. It’s no good to use any kind of auto exposure as you end up with wild fluctuations using spot and either blown out or dark faces if you use multi-spot.
The group shot
At the end of the run, there is the traditional and vital group shot. This is the fun bit for the photographer. The ladies are all exhilarated at finishing the run. The group mounts a farm trailer; this year, it was two trailers to take nearly 200 ladies.
This year, for the before-the-start shots, I used a Leica M11 with the classic remake 50 f/1.2 Noctilux. I wanted to get a dreamy look, so most of the shots are wide open
For the shots of the tractors on the move, I used the Leica SL2 with the 24-90 (one-handed as the other arm is needed to attract attention). For the group shot, I used the M11 with the 28 Summilux.
Post-processing has to be done the same night — so that the best images can be sent to the press overnight for inclusion in articles on Monday morning. If the weather has been overcast, it’s not too bad, but with changing light, there can be a lot of work getting the faces properly lit. Of course, with 190 ladies and four locations, that’s 760 photos to process… Emma says it’s like shooting a wedding with 200 brides.
This year the pictures have already been used for articles in several newspapers (local and regional) and on various websites, including BBC News.
Emotional
There are so many amazing women taking part — many of them are breast-cancer survivors — and most have had close relatives who have succumbed to the disease. In the middle of the run, the tractors go through the high street of Harleston, a small country town. It’s incredibly emotional for the Ladies driving the tractors (and for the crowds of people who have come to watch). This is followed by a picnic in the grounds of the Gawdy Hall Estate, people from miles around flock to this to get a good look at the tractors lined up in the field.
The Pictures
Galleries of images can be seen here:
The First Cut – these were images sent to Kate Royall the press officer, on the evening after the run
Here is a link to a larger-sized version of the group picture.
Breast Cancer Research
My wife, Emma Slack, has been taking part in the Tractor Road Run since 2012 and has raised many thousands of pounds as a result of everybody’s kindness.
Two months ago, Emma broke the top off her femur whilst hiking in a local nature reserve. Three ambulances came to the rescue, and she was whisked off to Bury St Edmunds Hospital to be screwed back together again (with a Dynamic Hip Screw).
She was determined to attempt the run again this year, despite the injury (she is currently flying around with the aid of one crutch and several painkillers).
Not only did she manage to complete the 25-mile route (not straightforward on a 68-year-old Fergie tractor), but at the end, she drove the twelve miles home.
If you would like to donate to this incredibly important cause, please click on the link to Emma’s fundraising page. Thank you!
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- Companion of the Order of the British Empire ↩
Thank you for the effort. My wife is a survivor (stage 1a). I am a stage 3 kidney cancer survivor. Any efforts to raise money for cancer research is greatly appreciated.
A wonderful story, Jono, and a really good cause. I do thank you both for supporting this. I am afraid, we have no so much creative power in fundraising here in Germany. It is great to see how much fun the ladies have despite – or probably even exactly because of! – the sincerity of the topic. Thanks for sharing this, JP
Hi There Jörg-Peter, I think the culture is different in Germany – we have a lot of German friends, but as far I’m aware none of them has contributed to the fund.
all the best
What a magnificent undertaking!
A few years ago, I volunteered to do a photoshoot for a catwalk (a way of getting out of being in the show). By comparison, it was a breeze — the models stopped at three places, so I could focus easily, and the lighting was constant.
I don’t have the courage to even try what you did — and with a rangefinder, yet.
Hat’s off!
Thank you Kathy
It certainly is a challenge . . . but modern cameras make it a great deal easier than it was ten years ago!
best
Great and fun set of images. I hope you remembered to tie something pink to the camera when making them.
Thank you Stephen
I guess I should get hold of a pink camera strap for next year!
All the best
A job for Evris Papanikolas!
Lovely article and great pictures Jono.
Thank you Tom
It’s a great cause
best
Jono
Wow! I know from personal experience that photography at events is exhausting but you have taken to olympic champion level. Thanks for the article and doing an incredible contribution to the success of such an important cause.
Thank you Brian
It’s good fun, but it certainly is pretty exhausting!
Annie Chapman runs an amazing organisation – no meetings, no timewasting (but you’re in trouble if you don’t do your bit!)
best
Jono
What a great cause to support and way to promote
Thank you Gary
It certainly is a great cause!
All the best
Jonathan
Jonathan
Thank you for writing this inspiring article together with its wonderful pink images.
I noticed in your 2019 Lumix review you also documented the same event. No doubt you are already booked for 2024.
Suffolk is well served for breast cancer charities as “Art For Cure” is also raising funds currently by selling sculptures at Helmingham Hall for this very worthwhile cause.
Chris
Hi there Chris
Thank You
I’ve been doing it since 2012, and yes, the first Sunday of July is always the date (it used to be sad when it conflicted with men’s finals at Wimbledon!)
All the best
Jonathan