Capturing images of people going about their daily lives is the bread and butter of street photography. The author argues that photographs of two people are much more informative than shots of individuals.
When available light just isn't good enough, it's time to bring in the studio lights. The author tells us how he threw caution to the wind, and tried his hand at formal portrait photography.
Ever wondered whether your neighbour is an alien invader in human form? This secret organization uses street photography to discover the grim truth. Read all about it!
In the third article of his beginner's series on street photography, Keith tackles the thorny topic of taking photos of people without asking their permission. Is it best to ask the person to take their photograph, and pose for the camera, or to snatch a candid shot discreetly while no-one is looking?
Keith shares his strategy for tackling an aversion to photographing complete strangers. It's a seven-step plan for overcoming street photography 'range anxiety'.
A new twist on digital photography: taking pictures of fingers. Not just any old fingers, though; these belong to musicians, who are using them to play their musical instruments.
Capturing the essence of a concert performance in a single image - the decisive musical moment - is a challenge for photographers. One strategy is to focus on the musician's eyes - when they are closed that is.