Lumix and Sigma L-Mount prime lenses offer superb optical performance in a cost-effective package. You can't really go wrong, whichever model you choose.
If you own an interchangeable-lens camera, chances are you own a couple of third-party lenses, delivering high optical performance at low cost. This week, we have good news from the world of third-party lenses.
The success of the L-Mount means it is increasingly difficult to remember just what lenses are available. The handy reference table sorts models by focal length to make things easy...
The new Sigma 50mm f/1.2 is a compact, relatively lightweight addition to the company's flagship Art range. Designed specifically for mirrorless cameras, this professional-grade f/1.2 prime lens is now the fastest 50mm autofocus lens in the L-Mount ecosystem. If you are an SL-camera owner in search of a wafer-thin depth-of-field, this could the lens for you.
New Leica L-Mount lenses in October 2023: A 21mm prime that is supposed to be world class, and a 14-24 that might remind users of a very similar lens from another manufacturer.
Sigma's new 10-18mm L-Mount lens for APS-C cameras demonstrates the company's commitment to the crop-sensor L-Mount market, despite the absence of suitable cameras following Leica's discontinuation of the TL2 and CL models...
Leica has left the APS-C camera market with the discontinuation of the CL. But the assumption that a sensor size between Micro Four Thirds and full-frame has not future proved wrong.
The new Blackmagic Cinema Camera 6K features the L-Mount which is designed to accommodate full-frame sensors while ensuring compatibility with new and vintage lenses. With a large diameter of 51.6mm, L- Mount works with the latest full-frame lenses from manufacturers such as Leica, Panasonic and Sigma...
Leica has abandoned their APS-C system with L-Mount. Many lenses are still around, also from Sigma. This review discusses if the Leica SL2, the Panasonic S1R or the Sigma fpL are useful cameras for the owners of APS-C L-Mount lenses.