The Zeiss Sonnar 85/2 ZM telephoto rangefinder lens was made in extremely small quantities. In our real-world test, it must prove if its value lies in more than in its rareness.
How good can a lens be that costs about the same price as a quality filter you might screw on the front of it? Keith puts this cheap and cheerful lens through its paces, and likes what he sees.
The Light Lens Lab 35mm f/1.4 Double Aspheric is a modern-day homage to a classic Leica Summilux. The author provides us with his assessment of this much more affordable version.
Shooting with a 50mm lens offers a familiar perspective, most closely resembling that of the human eye. But this popular focal length sometimes offers only a limited context. This is where the wider field of view of an anamorphic version opens up additional creative opportunities.
The Viltrox 16mm f/1.8 lens gives L-Mount photographers an impressive, ultra-wide option that is both sharp and fast. If you fancy exploring the creative opportunities to be found at the wide end of the focal length range, this is a superb tool for the job.
Could pairing a Leica TL2 with a Sigma telephoto zoom give the author enough optical reach to capture a memorable sunset photograph before it's too late in the season? Read on to find out.
Sigma has announced two new full-frame lenses for the L-Mount system: the 35mm f/1.4 DG II Art and the AF Cine 29-105mm T3 FF, both also available in Sony E-Mount.